The world of high-end denim is a niche market, populated by aficionados who appreciate the meticulous craftsmanship, superior materials, and unique silhouettes offered by luxury brands. Within this exclusive realm, Dior Homme's Made in Japan (MIJ) raw denim jeans, particularly the 17.5cm slim cut from the Autumn/Winter 2012 collection, hold a coveted position. This article delves deep into the specifics of these highly sought-after jeans, exploring their design, historical context, differences from other Dior Homme denim, and their enduring appeal in the secondary market. We will examine a specific pair, identified by item code 163D004A0184-503, in size 28, presented as new with tags, to illustrate the key features and desirability of this particular offering.
Dior MIJ 17.5cm: A Legacy of Slim Fit Perfection
The Dior Homme MIJ 17.5cm line represents a pinnacle of slim-fitting denim design. The "17.5cm" refers to the leg opening's width at the bottom, signifying an exceptionally narrow and tapered leg. This extreme slimness, a hallmark of Hedi Slimane's era at Dior Homme, became synonymous with the brand's aesthetic and continues to influence contemporary menswear. The "MIJ" designation underscores the superior quality and craftsmanship associated with Japanese denim production. Japanese mills are renowned for their superior cotton, precise weaving techniques, and dedication to detail, resulting in denim with exceptional durability, texture, and a unique aging process. The combination of a razor-sharp cut and premium Japanese fabric established the Dior Homme MIJ 17.5cm as a grail item for many denim enthusiasts.
Differences between a Dior MIJ made by Hedi Slimane?
The differences between Dior Homme MIJ denim produced under Hedi Slimane's creative direction and those crafted after his departure are significant. Slimane's designs were characterized by an extreme, almost skeletal slimness, emphasizing a lean and elongated silhouette. The focus was on creating a second-skin effect, with the jeans hugging the leg tightly. The washes, if any, were subtle, often favoring raw, unwashed denim that allowed the wearer to personalize the jeans through natural wear and fading. The fabrics were typically high-quality Japanese selvedge denim, chosen for their drape and ability to mold to the body over time.
Following Slimane's departure, Kris Van Assche took the helm, maintaining a slim fit but offering a slightly more relaxed and less extreme silhouette. While still employing high-quality materials and Japanese manufacturing, the overall aesthetic shifted towards a more contemporary and less radically slim fit. The washes became more varied, with a broader range of treatments and finishes available. While both eras produced exceptional denim, the difference is palpable: Slimane's designs are known for their uncompromising slimness and raw, unadulterated aesthetic, while Van Assche's iterations offered a slightly more accessible and versatile approach.
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